ART SHOWS
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
M u l t i m e d i a
A r t V i d e o , M u l t i m e d i a I n s t a l l a t i o n s
MARIA VERONICA
P h o t o g r a p h y
MARIA VERONICA
“Gold & Water: Metallic Constellations”
MARIAVERONICAMARIAVERONICA
For the first time in the history of the Venice Biennale, Ecuador opens its own independent pavilion thanks to the initiative of a young multidisciplinary artist, relevant to the Art History of Ecuador, Maria Veronica Leon, currently living in Dubai (Cube Arts Gallery), who has been distinguishing herself in Paris since 1998 for her works (drawing, painting, printing, video art, video poetry, performance, digital books, and digital photography).
Gold intensity and water translucency has always been one of her favorite subjects.
For the 56th International Art Exhibition, she explores gold and water through a new proposal: “Gold Water: Apocalyptic Black Mirrors”, a true manifesto in favor of life and art. This committed artist deplores the excesses, exaggeration, intoxication and drifts of industry, which penetrates to the very heart of nature (1) and alters ‘water vibration energy’ and the ‘symbolic, historical and cultural significance of gold.’
‘Water, as governed by regulations that meet the needs of our western industrial civilisations, encompasses the most ancient representations that, still today, bear their influence on our opinions. Water mythology and symbolism engraved in our subconscious contribute to our perception of water’. For the French semeiologist Jules Gritti ‘Our technical and industrial civilisation, owing to its inherent shortages and pollutions, may exacerbate need, anguish and appetite in talking signs.’
Starting from this perspective, the Ecuadorian artist explores the mnemonic traces of our relationship with water and gold. Her project is built around a strong symbol: the fireplace, which is cube-shaped as a leading-edge kitchen, though with a new identity. The relevance of this realistic structure lays in its universality, thus enabling the artist to create an original work that metaphorically evokes humanity in the process of forgetting itself. A wall of a series of micro- waves recessed into rails shows the images of a lost paradise recalling the walls of Plato's Cave. Several videos show the images of a water bottling plant: shuffled rhythms on a metal background give rise to stars that open and transform like new galaxies. Another video shows virtual and incandescent gold in an everlasting fight against water and evokes chaos. Gold as an economic index will turn into a promise of beauty.
1. ‘Ecuador, country of solar forces, is a piece of incomparable nature. Its coasts licked by the Pacific, its flank crossed by the Andes mountain range. The Galapagos Islands inspired ‘The Origin of Species’ by Charles Darwin’.
MARIAVERONICA
Ileana Cornea, art critic and curator Paris, January 2015
P E R F O R M A N C E
L'Or Blu
MARIA VERONICA
MV Artworks for The Pavilion of Ecuador in La Biennale di Venezia
MARIA VERONICA
Universe in Universes
MARIA VERONICA
La Biennale di Venezia/National Participations
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
Click Catalogue "Gold Water: Apocalyptic Black Mirrors"
MARIA VERONICA
MARIA VERONICA
Se abren las puertas del Primer Pabellon del Ecuador en la Bienal de Venecia
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
P E R F O R M A N C E
Maria Veronica Leon, Lucia Vallarino and Paolo Baratta, President of La Biennale di Venezia
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
G o o g l e C u l t u r a l P l a t f o r m
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
M A C R O
MARIA VERONICA
MARIA VERONICA
M u s e u m o f C o n t e m p o r a r y A r t R o m e
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
" D A R K B L U E V I S I O N S "
M A R I A V E R O N I C A
Maria Veronica Leon V Dubai, 2O15
M A R I A V E R O N I C A
The human right to water is fundamental and indispensable, inalienable, indefeasible and essential for life. Water is a common ultimate good. Its sources and channels that once seemed so limitless are drying up. Historically, no notion of protecting water or bottling it for human consumption existed, but rules change and international water conferences as well as communities worldwide have studied water systems and redefined their rational use.
Ecuador became the first country in the world to codify the Rights of Nature, a pioneer in the global environmental sector. Ecuadorian Constitution recognize the inalienable rights of ecosystems to exist and flourish, giving people the authority to petition on the behalf of ecosystems, and requiring the government to remedy violations of these rights; so that rivers and forests maintain their own right to exist and are not just a property. Under these laws, for example, a citizen can file a lawsuit on behalf of an injured channel, recognizing that the health of the water source is crucial for the common good.
The vibrant protagonist for the exhibition is video art. Overlapping time sequences of water emerge from a distant past catapulting it into an abstract location in the future where the world apocalyptic reality of contamination and obscurity disappear. I choose video as the ideal technique, since its movements allow me to show by series the similar phases of black apocalypses that different cultures live in parallel times. Video takes me to the representation and abstraction of the high-tech industry irruption in the soul of human beings.
The sound of machines hammering our psyches are the hammering actions of capitalism excesses, that day to day demands to be prostrated at its feet. Steal barriers, metallic cuts, black holes where Earth loses its identity, steal stains, heavy and deafening structures, obliging men to give up their territory.
The totalitarian excesses of the Industry have irrupted nature, damaged its health, and affected the ecosystem. Money is “the saint” and the punisher, the one that creates nature’s darkness, and it causes a duel reflected into the future, in successive mirrors of apocalyptic reflections that will destroy the Humanity.
We need flowing water in order to live, love and have light. "Water of Light, Water of Life." The internal vision needs to be intricate to the external one,so that what is inside is reflected in the outside world. Water is suffering, drying up and dying, being infected by man’s brutality; water begins to exist with “artificial breathing” on an man-made life support system. In the videos the light blue tubes allow oxygen to enter, a treatment to cleanse and reanimate water intravenously.
We feel the churning power of the oceans and seas, interconnected in an energetic therapy, building barriers to resist industry’s atrocities; generating a second dimension of existence, where universal cosmic energy gives birth to a centric universal nucleus, from where an explosion of new fountains irrigates old affected waters erupts and a new cosmic galaxy emerge. Waters’ new energy is stronger than industry.
Video offers a perfect choreographic interplay between these present and future realities, and generates a singular visual reading that symbolizes new codesof freedom in the face of capitalistic disaster and destruction. Surrealistic and symbolic visions illustrate water, present and future, spring from an imagined sense of a collective elevated consciousness, with greater respect for water and to what it means to Humanity.
The shadow of darkness passes from a futuristic perspective; darkness vanishes, the industrial machine as well, the round table of the Illuminati is devoured by the black holes, only the shadow is left, dark mafias disappeared; the dimension of the dollar gets lost and enters the plane of memory, the metallic stars lose their force and an enlightened human being arises that represents the new collective consciousness that sustains the world in a contemporary awakening. Tomorrow the currency will be water, air, health and survivorship and new codes.
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A - M A C R O E x h i b i t i o n C a t a l o g u e
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
RAI ITALY TV Interview: 20160405-RAI_3-TG3_LAZIO_1935-200303397m
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
Un Grito entre Agua y Oro
M A R I A V E R O N I C A
Bernard Fougeres Guayaquil, 2O17
M A R I A V E R O N I C A
Edward Munch contó como había nacido en su mente la famosa pintura llamada El Grito: “Iba por la calle con dos amigos cuando se puso el sol, el cielo se tornó rojo sangre, percibí un estremecimiento de tristeza, un dolor desgarrador en el pecho. Me detuve; me apoyé en la barandilla, preso de una fatiga mortal. Lenguas de fuego como sangre cubrían el fiordo negro azulado y la ciudad. Mis amigos siguieron andando, yo me quedé allí, temblando de miedo. Oí que un grito interminable atravesaba la naturaleza.
Puedo imaginar a María Verónica León recordando aquel alarido frente a los elementos vitales que son el agua y el oro. Años atrás se dejó fascinar por los espejos acuáticos en los que se mira Venecia, pero después recordó el oro que los españoles fueron a buscar en América, los ríos actualmente contaminados por el petróleo. El objetivo primordial de la conquista española y portuguesa consistió en la explotación de los metales preciosos para colocarlos en el mercado europeo, lo de la cruzada Cristiana fue mero pretexto. María Verónica recordó de igual manera el oro que usan los multimillonarios de Dubái para enchapar su Ferrari o su Lamborghini, sabe que llegará el momento en que se podrá en el planeta conseguir gasolina pero no más agua sino a precios exorbitantes. Ambos elementos, agua y oro, mezclados por la artista, como el panadero amasa el pan nuestro de cada día, envolverán extrañas máscaras cansadas de su inexpresivo pasado. Aquellas máscaras clamarán su angustia fruto del pasado, temor al futuro. Nuestra artista ecuatoriana es inquieta, incapaz de enmarcarse en un movimiento determinado, se desafía cada día frente a los materiales más diversos. Su alma cosmopolita conoce las noches áureas de París, ciudad donde reside, las aguas que amenazan a su amada Venecia. Es posible que recuerde a Thomas Mann y la muerte en Venecia escuchando el adagietto que Mahler puso en su quinta sinfonía.
María Verónica es también retratista, como tal busca extraer lo que esconde la envoltura de sus modelos, pues la pintura muchas veces sabe más que la fotografía (tenemos fotos de Monet, Renoir, Tolouse Lautrec, no necesitamos ninguna de Rembrandt pues tenemos 9O de sus autorretratos, ni de Van Gogh del que tenemos 3O. Aprendí mucho de los retratos que hicieron Humberto More y Cristian Mera aquí en Ecuador.
María Verónica tuvo su propio pabellón en la Bienal de Venecia; su obsesión por las formas que se mueven, tanto en la naturaleza como en el ser humano, marcan las etapas de su creatividad, así como la cábala, misterio que encierran números o letras. Fue hace poco invitada a exponer sus obras en el museo de Arte Contemporáneo de Roma. La prensa italiana ha destacado ampliamente aquel evento. El arte es obra, obra es trabajo, resultado de una larga maduración la que puede excepcionalmente expresarse en cuestión de segundos. El anillo matrimonial de oro evoca eternidad. En el amor o en el arte se llama alquimia, magia, anhelo quimérico de eternizar el instante. María Verónica es mas conocida en Europa que en su propia tierra.
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
Mat Lucia Vallarino, Project Collaborator
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
David Rosenberg, Exhibition'Curator
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
A r t B r u s s e l s 2 0 1 2
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
52nd International Art Exhibition M A R I A V E R O N I C A La Biennale di Venezia, Pavilion of Latin-America-IILA (2007)
M A R I A V E R O N I C A
P a l a z z o C a' Z e n o b i o
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M u s e u m o f C o n t e m p o r a r y A r t
MARIA VERONICA
G u a y a q u i l E c u a d o r 2 0 0 5
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
P a i n t i n g D r a w i n g
MARIA VERONICA
P e r f o r m a n c e
MARIA VERONICA
Here some pictures about Maria Veronica' art shows from 1995 to 2015. No all shows are documented
MARIA VERONICA
MARIA VERONICA
P e t i t P a l a i s
MARIA VERONICA
M u s e u m o f F i n e A r t s P a r i s 2 0 0 8
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
Espace Beaujon Paris 2011 / Plaza Athenee Paris 2011
Chapiteau de Fontvielle Monte Carlo 2012
MARIA VERONICA
MARIA VERONICA
Etoile St Honore, Paris 2008/ Ecuador Embassy, Paris 2003
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
Spazio Tethis Venice 2010
MARIA VERONICA
Guangzhou International Fair China 2008
MARIA VERONICA
Wuppertal 2002
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
M a r i a V e r o n i c a l i v e s a n d w o r k s C u r r e n t l y i n D u b a i
MARIA VERONICA
MARIA VERONICA
U n i t e d A r a b E m i r a t e s
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
P E R F O R M A N C E
She has been represented by Cube Gallery Arts, DIFC (Dubai International Financial Center)
P E R F O R M A N C E
P E R F O R M A N C E
P E R F O R M A N C E
P E R F O R M A N C E
P E R F O R M A N C E
Safa Al Hamed, Cube Arts and The Empty Quarter Gallery' owner in Dubai
M A R I A V E R O N I C A
M A R I A V E R O N I C A
M A R I A V E R O N I C A
C u b e A r t s G a l l e r y
Dubai May-June 2014
MARIA VERONICA
SERHGKJHULJLKJLHLKJL
''Locality & Aesthetics''
Solo Exhibition by Maria Veronica Leon Veintemilla
Cube Arts Gallery, Gate Village 08, DIFC
May–June, 2014
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
The Stress of The Sheikha Acrylic and Pen on Arches, Dubai 2O14
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
SERHGKJHULJLKJLHLKJL
Hexagonal Perspective Acrylic and Pen on Arches, Dubai 2O14
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
SERHGKJHULJLKJLHLKJL
Sheikha Diamond Acrylic and Oil on Canvas, Dubai 2O14 100x150cm
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
SERHGKJHULJLKJLHLKJL
Dubai, The Diamond of the Region Oil on Canvas, Dubai 2O14
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
SERHGKJHULJLKJLHLKJL
Sheikha Saphir Acrylic and Oil on Canvas, Dubai 2O14
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
''Locality & Aesthetics'' News
MARIA VERONICA
1."GULF TODAY" NEWS, DUBAI, UAE. DIFFERENT SPACES, SAME HOME BY MUHAMMAD YUSUF, 5 JUNE 2014
2. "EL CORREO DEL GOLFO", JUNIO 2014
3. "EL UNIVERSO, MAY 2014
4. "EL TELEGRAFO", MAY 2014
5. "EXPRESO" 2014
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
C u b e A r t s G a l l e r y
MARIA VERONICA
D u b a i, M a y 2 0 1 4
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA
MARIA VERONICA